When the March, 2017 issue of The Architectural Review hit newsstands, in conjunction with International Women’s Day, women’s rights marches, and waves of pink “pussy hats”, it reopened and spurred an essential, if uncomfortable, dialogue that is vital to the future of our industry: the role, status and prospect of women in architecture. Issue number 1439, March 2017, explores the status that female architects occupy in the field during a time of global upheaval and a reconsideration of socio-political and economic values. It is also a reflection upon a century or more of sometimes nuanced, oftentimes blatant discrimination, obliteration, and systemic repression of women from the public record of architecture. So what’s it all about?Read More
In what light do you see yourself? What do you fear? How do you IDENTIFY? In a world that is increasingly dynamic, in which we sleep next to our mobile phones and swarm anonomously among an ever amassing population, our personal identities are more and more fluid, strained and undefinable. This condition is one that prolific New York-based artist Cindy Sherman is intimately familiar with, and seeks to address through her latest photographs, her first body of new work to be exhibited in five years.
In this series of portraits Sherman, true to her milieu, has appropriated the dress and appearance of fading starlets in an attempt to come to terms with her own ageing. Gloria Swanson and Greta Garbo take the stage, as do several leading ladies from Hollywood’s Golden Age. “I relate so much to these women”, Sherman explains. “They look like they’ve been through a lot, and they’re survivors. And you can see some of the pain in there, but they’re looking forward and moving on.”Read More