Gilb Museum of Arcadia Heritage

• TEAM

  ARCHITECTURAL TEAM | John Sparano, Anne Mooney, Ludwing Juarez, Michael Atkinson, Mahnaz Zahiry, Tomohisa Miyauchi

  ELECTRICAL | Silver, Roth & Associates Inc.

  EXHIBIT | Melisa Keeler

  LANDSCAPE | Withers & Sandgren

  MECHANICAL | Maroko & Shwe Inc.

  PLUMBING | Maroko & Shwe Inc.

• RECOGNITION

  2020 | Anne Mooney: Arcadia Museum, Built by Women at the A + D Museum, Los Angeles (exhibition)

  2019 | “Arcadia Museum,” Archello, 2019

  2013 | "Arcadia Historical Museum", Phaidon Atlas of Contemporary World Architecture, published by Phaidon Press Ltd.: New York, 2013

  2005 | Utah Arts Council, DesignArts ‘05

  2005 | Rio Gallery, Salt Lake City (exhibition)

  2004 | "Vibrazioni eteree: Arcadia Historical Museum", L'Arca, March 2004

  2002 | "Arcadia Historical Museum", LA Architect, September/October 2002

  2002 | "Feature: Arcadia Historical Museum, Los Angeles." A+U (Tokyo), Layers of Wooden Architecture , June 2002

  2002 | "Arcadia/Kalifornien: Arcadia Historical Museum", Bauwelt, May 2002

  2002 |"Lessons from History: A New Museum by Sparano + Mooney", World Architecture, May 2002

This new museum designed by arts and culture architects Sparano + Mooney Architecture houses a permanent collection as well as a continually-rotating exhibit depicting the history of this area of Los Angeles County. The program includes gallery spaces, a multipurpose room and archival area, a curatorial office and both interior and exterior exhibition spaces. Clerestory windows and focused views provide natural light to the galleries. Views of the nearby San Gabriel Mountains are incorporated into the exhibit as the historical is juxtaposed with the present. Relationships to the site and existing community center west of the museum are created through geometric and material contextual references. Sustainable design elements include an FSC (Forest Stewardship Council) certified wood exterior screen, passive solar design and orientation and shaded areas with overhangs.

The modern museum design was inspired through an in-depth analysis of the complex relationship between the historian who records the past and the museum visitor experiencing the present. Central to this relationship is the notion that history is understood through second- and third-generation sources or filters. The design process began with the development of a conceptual viewing apparatus, which explored the impact of these filters on what and how history is experienced. This conceptual construct was translated into an architecture that changes dramatically based on the position of the observer. When viewed at a right angle, the façade dissolves as one looks through the wood louver screen; at an oblique angle, the façade appears solid. The idea extended into the development of the exhibit design, which assumed a hyper-flexible and democratic approach, incorporating malleable elements including chalkboards for changing texts, corkboard frames for rotating displays and movable open display cases that transform the space by their location, and invite hands-on interaction with the collection. This project earned recognition in numerous publications in the US and abroad and has won design awards from the American Institute of Architects at the local, state and regional levels.