Abstract watercolor drawing with black and brown lines and patches on white paper, with some areas of faded color and sketchy strokes.

DESIGN APPROACH

At SPARANO + MOONEY ARCHITECTURE, we believe exceptional design begins with understanding your vision, goals and preferences. Our collaborative approach brings together creative thinking, technical expertise and practical problem-solving to develop thoughtful, innovative architectural solutions that respond to your functional needs, budget and aspirations. We balance leading-edge technologies with timeless, sustainable design principles inspired by nature, creating architecture that is meaningful and enduring, as well as deeply reflective of your priorities.

Every project begins by establishing a shared set of values and design objectives that guide decisions and provide a clear measure of success. Our process is organized into four interconnected phases: research and discovery, benchmarking, solution development and project delivery. Throughout each phase, we work closely with you to explore possibilities, navigate challenges and make informed decisions, ensuring that the resulting architecture remains grounded in your goals from initial concept through completion.

Nest heuristic device, isometric of multi-sided gridded model with layered images of nature by Sparano + Mooney Architecture
Person's hand with a beige long sleeve shirt pointing at a white object on a plain white surface with a white background.

CONCEPTUAL CONSTRUCTS

The work of SPARANO + MOONEY ARCHITECTURE emerges from an attentive reading of the varied and interrelated forces shaping a project. We begin with a rigorous exploration of the cultural, spatial, environmental and contextual conditions unique to each commission, drawn from the client, the program and the specificities of site. This research is distilled into a conceptual framework that guides the architecture, establishing an internal order rooted in meaning rather than convention or pre-conception. Our process offers a way of forging deeper and more resonant relationships between contemporary architecture and an elevated human experience.

The process is heuristic in nature, testing a broad range of ideas before settling on the ideal framework for the developing design approach. This early way of working is not yet architectural, not yet representational. This step helps us focus on the specifics of the project and our alignment with the client and community we are collaborating with. As the ideas develop, a conceptual construct is designed and then built, serving as a repository of the ideas for the project. The connection between idea and architecture creates a critical filter through which a concept moves toward architecture.

Also central to the firm’s philosophy is a questioning of architectural order as something imposed on a work through geometry, separate from human experience. Instead, we see architecture emerging as a spatial narrative, one that unfolds through time, movement and sensory awareness. Architecture is conceived as dynamic, with occupants engaged as active participants within the center of an evolving spatial field, around which form, light and space are carefully crafted and articulated through architectural design elements.

Through this approach, our work seeks not only to shape an architectural response to a brief, but to choreograph one-of-a-kind meaningful connections among architecture, context and spatial sequence. This process allows our team of Utah and Los Angeles architects to create buildings and spaces not passively observed, but actively encountered within an environment shaped by a curated unfolding of experience.

The images below are a sample of the broad range of exploratory sketches, constructs and process work our team generates as our ideas are conceptualized, tested and iterated during the design process. This heuristic process enables our architects to develop truly novel solutions deeply grounded in the project research.

Sketch of a modern building with rectangular shapes, multiple windows, and a curved ramp or slide, rendered in pencil with some shading and a red accent on one part of the building.